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电影理论研究 ›› 2026, Vol. 8 ›› Issue (28): 5-16.

• 学术前沿 •    下一篇

人的弥散： 生成式影像中的作者性困境及其解缚

  

  1. 武汉大学艺术学院博士研究生
  • 出版日期:2026-09-10 发布日期:2026-10-27

  • Online:2026-09-10 Published:2026-10-27

摘要：

生成式人工智能的引入，使影像转向一种“自显机制”：屏幕取代摄影机成为新的可见性装置，算法的实时生成流进入了感知与技术之间的中介环节，使作者因此降级为系统中的“首位观众”，而“作者性”的危机正源于这种降级的本体论后果。但生成式影像的文体并非作者的终结，其反身机制成为作者“分体化”与创作“自动化”之后的再配置，即作者意向被重新分散在筛选与观看的多重层面中。最终，生成式影像使得人类在技术装置中被重新书写为一种残余存在，即在被替代的进程中，人类仍以弥散之身持续介入影像的可能。

关键词: 生成式影像, 作者性, 电影自动性, 后人类美学

Abstract:

The emergence of generative AI has reoriented moving images toward a mode of algorithmic self-manifestation. As the screen increasingly supplants the camera as the primary apparatus of visibility, real-time image generation reshapes the relationship between perception and technology. Within this transformation, the author is displaced from the position of creator to that of the system's 'first spectator', giving rise to a profound crisis of authorship. Yet generative image does not signal the disappearance of the author. Rather, it reconfigures authorship through the dividualization of the creative subject and the automation of image production, redistributing authorial agency across processes of selection and viewing. In this sense, the human is reinscribed within the technological apparatus as a residual yet irreducible presence, continuing to shape possibilities of the image through dispersed forms of embodied agency.

Key words: generative image, authorship, cinematic automatism, posthuman aesthetics