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电影理论研究 ›› 2026, Vol. 8 ›› Issue (28): 79-91.

• 问题研究 • 上一篇    下一篇

女性主义电影理论的多元转向：新唯物主义、生态女性主义和后人类视角

  

  1. 曲阜师范大学文学院讲师
  • 出版日期:2026-09-10 发布日期:2026-10-28

  • Online:2026-09-10 Published:2026-10-28

摘要：

当代女性主义电影理论正经历从“语言学转向”至“本体论转向”的重大变革。女性主义新唯物主义着重强调物质与话语的构成关系，提供超越表征批评的全新分析框架。生态女性主义既揭示隐性压迫逻辑，也发掘出具有变革潜力的影像表达。后人类理论对传统的性别二元假设发起挑战，然而技术并未自动带来性别解放，父权结构仍以新的形式延续。此三种视角的共同指向在于采用交叉性分析框架，在肯定物质能动性与技术潜力的同时，保持对不平等权力结构的批判敏感性，为构建更为平等多元的视觉文化开辟可能性空间。

关键词: 女性主义电影理论, 新唯物主义, 生态女性主义, 后人类, 交叉性

Abstract:

Contemporary feminist film theory is undergoing a significant shift from the linguistic turn toward an ontological reorientation. Feminist new materialism foregrounds the entanglement of matter and discourse, thereby displacing representational critique as the dominant paradigm. Ecofeminism links the subjugation of women and the exploitation of nature to shared patriarchal structures, Posthumanism interrogates the limits of gender binaries in technologically mediated contexts while cautioning against the assumption that technological development inherently produces gender emancipation, as patriarchal structures persist in new forms. The perspectives converge in an intersectional analytical approach that affirms material agency and technological potential while maintaining a critical sensitivity to unequal power structures, thereby opening up possibilities for a more egalitarian and pluralistic visual culture.

Key words: Feminist Film Theory, New Materialism, Ecofeminism, Posthumanism, intersectionality