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电影理论研究 ›› 2026, Vol. 8 ›› Issue (1): 26-38.

• 学术前沿 • 上一篇    下一篇

从“现实索引”到“审美契约”: AI 时代的影像本体论挑战与批评范式新探

黄泽原
  


  • 出版日期:2026-03-10 发布日期:2026-03-10

From Indexicality to Aesthetic Contract:Rethinking Image Ontology and Criticism in the Age of AI

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  • Online:2026-03-10 Published:2026-03-10

摘要:

AI 时代的来临,使得以索引性为基石的传统影像本体论与批评范式面临危机。回溯电影史与观看机制的历史可以发现,影像的“真实感”始终是一种精心设计的幻觉建构。影像史中各类“技术痕迹”都有一个美学化过程,而 AIGC 独特的“算法痕迹”因暴露非人逻辑而引发了审美危机。为应对此危机,我们需要必要的范式转型:从追溯物理来源的技术本体论,转向分析观看协议的美学本体论,并以“审美契约”为核心分析工具。这一框架将批评的焦点从不可知、不充分的来源,转移到可被体验、可被分析的观看关系上,将 AI 时代的挑战转化为理论创新的契机。

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Abstract:

The advent of AIGC has precipitated a profound crisis for traditional image ontology and critical paradigms founded on indexicality. Historical examination of cinematic mechanisms and spectatorship reveals that the ‘sense of reality’ in images has always been a meticulously constructed illusion. While various ‘technical traces’ in image history have undergone aestheticization, AIGC’s distinctive ‘algorithmic traces’ trigger an aesthetic crisis by exposing ‘non-human logic.’ To address this crisis, a paradigm shift becomes necessary: from ‘technical ontology,’ which traces physical origins, to ‘aesthetic ontology,’which analyzes viewing protocols, with ‘aesthetic contract’ as the core analytical tool. This framework redirects critical focus from unknowable and insufficient origins to experientially accessible and analytically tractable viewing relationships, transforming the challenges of the AI era into opportunities for theoretical innovation.

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