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电影理论研究 ›› 2026, Vol. 8 ›› Issue (28): 37-45.

• 学科建构 • 上一篇    下一篇

新时代中国西部电影的创作新向与文化逻辑

  

  1. 四川大学文学院教授、比较电影学研究所所长，四川省电影家协会副主席

    四川大学新闻传播与出版学院硕士研究生

  • 出版日期:2026-09-10 发布日期:2026-10-28

  • Online:2026-09-10 Published:2026-10-28

摘要：

历经四十载的中国西部电影已步入崭新的发展阶段。在新时代语境下，其创作样态呈现出明显的变迁趋势：新主旋律化主题的深化与重构，诗意化叙事的探索与表达，“作者性”个人风格的凸显与强化等。这既彰显了西部电影艺术语言的丰富与拓展，也映射出中国电影的文化自觉与审美风格的现代性追求。西部电影的创作新向与文化逻辑让人一窥新时代中国电影既根植本土文化又积极回应时代潮流的嬗变特征，以及其既传统又现代的文化自觉与反思。这不仅丰富了中国电影的艺术表现形态，也为其当下及未来实践提供了启示。

关键词: 新时代, 中国西部电影, 创作新向, 文化逻辑, 审美嬗变

Abstract:

With a history spanning four decades, Chinese Western Cinema has entered a new stage of development. In the context of the new era, its creative practices have undergone a series of significant transformations: the deepening and reconstruction of themes associated with a 'new mainstream' orientation; the exploration and development of poetic forms of narratives and expression; and the emergence and consolidation of distinctive personal styles marked by auteurist tendencies. These shifts not only testify to the growing richness and expanding expressive possibilities of Chinese Western Cinema but also reflect Chinese cinema's increasing cultural self-awareness and its pursuit of modernity in aesthetic expression. The new creative directions and cultural logic of Chinese Western Cinema offer a window onto the broader transformation of Chinese cinema in the new era: one rooted in local culture while actively engaging with contemporary cultural trends, and characterized by an ongoing negotiation between tradition and modernity. These developments not only enrich the artistic vocabulary of Chinese cinema but also provides insights into its present and future creative practices.

Key words: the New Era, Chinese Western Cinema, creative directions, cultural logic, aesthetic transformation