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电影理论研究 ›› 2019, Vol. 1 ›› Issue (1): 89-96.

• 地缘视域 • 上一篇    

从苏州河到黄浦江 ——上海城市影像的空间呈现与文化想象

程波1, 马晓虎2   

  1. 1. 上海大学上海电影学院教授  2. 上海大学上海电影学院博士生
  • 出版日期:2019-01-15 发布日期:2020-04-11

From Soozhow Creek to Huangpu River--The Spatial Representation and Cultural Imagination of Urban Images in Shanghai

  • Online:2019-01-15 Published:2020-04-11

摘要: 苏州河与黄浦江是上海城市空间划分与融合的地理边界,也是这 座城市文化生活与人文情感最为重要的空间载体,在上海城市的 影像书写中扮演着重要的角色。关于苏州河与黄浦江直接或间接 的影像表达,往往跨越历史直抵当下,成为关于这座城市空间呈 现与文化想象至关重要的意象符号,在影像书写之中不断地拆解 与重构,回应历史传奇的同时也关照现实,着眼未来,为我们展 现了一个多面可感、层次丰富的现代上海。

关键词: 苏州河, 黄浦江, 意象符号, 空间呈现, 文化想象

Abstract: Soozhow Creek and Huangpu River is the geographical boundaries of urban space, which plays an important role of depicting the image of Shanghai; it also carries the cultural life and human emotions of this metropolis. The visual expression of Soozhow Creek and Huangpu River in Chinese movies always cross history and reach present, and has become vital symbol of shanghai cultural imagination. Soozhow Creek and Huangpu River in Chinese movies were constantly dismantled and reconstructed. In response to the historical legend, while paying attention to the reality and focusing on the future, they show us a multi-faceted and rich modern Shanghai.

Key words: Soozhow Creek, Huangpu River, image symbol, space presentation, cultural imagination