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电影理论研究 ›› 2026, Vol. 8 ›› Issue (28): 27-36.

• 学术前沿 • 上一篇    下一篇

类身影像：摄影机的身体谎言

  

  1. 北京大学艺术学院硕士研究生
  • 出版日期:2026-09-10 发布日期:2026-10-28

  • Online:2026-09-10 Published:2026-10-28

摘要：

在后人类语境下，影像技术正将摄影机从由身体控制的工具转化为与身体共生的“类身”存在。“延伸”类身以身体在场为前提，旨在“修复”身体，将手持摄影中本真的“呼吸感”视为缺陷予以抹除，代之以异质的“浮动感”；“镜像”类身则以身体缺席为前提，致力于“模拟”身体，在肉身缺席的语境下通过算法伪造出具备“呼吸态”的具身幻觉。当算法取代真实，影像的“谎言”已不再是对现实的遮蔽，而是内化为构建当代影像真实感的必要条件，动摇了以“索引性”与“影像本体论”为基础的现实合法性，迫使我们重新界定影像的真实标准、具身属性与伦理边界。

关键词: 类身影像, 手持摄影, 延伸类身, 镜像类身, 索引性, 后人类

Abstract:

In the posthuman condition, imaging technologies are transforming the camera from a body-operated device into a ‘bodioid’ entity that exists in symbiosis with the human body. The extension bodioid seeks to ‘repair’ the body by treating the subtle ‘breathing’ inherent in handheld cinematography as an imperfection to be eliminated, replacing it with an artificially stabilized sense of floating. By contrast, the mirroring bodioid aims to simulate embodiment, producing the illusion of a breathing, sensing body even in the absence of corporeal presence. When algorithmic images no longer merely imitate but supersede it—becoming ‘copies without originals’—the lie ceases to function as a concealment of reality and instead becomes internalized as a constitutive condition of contemporary image authenticity. This transformation fundamentally challenges the image’s legitimacy as an index of reality and calls for a rethinking of the relationships among reality, embodiment, and the ethical attributes of the moving image.

Key words: bodioid image, handheld cinematography, extension bodioid, mirroring bodioid, indexicality, Posthumanism